Friday night, Howard and I went out to the studio to go over the existing takes, talk about overdub ideas, and free up tracks to make room for said overdubs. This involved erasing unwanted takes (extra vocals, misguided cowbells) and sub-mixing some drum tracks. (The original drum recording used separate tracks for the toms and cymbal microphones. These 4 tracks were mixed down to 2 new tracks, then the originals were erased, leaving us with 2 more free tracks.)

On Saturday, Thor and Elaine (the harpist) arrived around 11:30, and we got started on harp overdubs. We tried a few different microphones in various positions before settling on two Avenson Audio omnis taped to the soundboard of the harp and an Audio-Technica Pro37r about 10′ away for ambiance. (Steve Albini used a similar technique on Joanna Newsome’s Ys album, but used four Crown GLM-100 mics up and down the soundboard for increased detail.) These were all run through John Hardy mic preamps and bussed through our Manley ELOP limiter to a single track.

Elaine ran through 7 songs in a matter of hours. A really wonderful experience for me, this being my first harp recording and all.

After we finished the harp overdubs, she packed up and we headed for dinner. 5 bowls of curry later, Howard and I returned and started in on his large list of overdub ideas. For the first time in my life, I recorded a flanged tambourine. (I feel liberated, honestly). We did a lot of extra guitar and organ bass pedals before calling it a night at 3:30 AM.